Tool: Maynard James Keenan (vocals); Adam Jones (guitar); Justin Chancellor (bass); Danny Carey (drums).

Additional personnel includes: Marko Fox (vocals); Eban Schletter (organ); Chris Pittman (synthesizer); D.B. (keyboards); Bill Hicks.

Recorded at Ocean Way, Hollywood, California and The Hook, North Hollywood, California.

AENIMA was nominated for a 1997 Grammy Award for Best Recording Package. "Aenima" won the 1998 Grammy Award for Best Metal Performance.

Personnel: Maynard James Keenan, Bill Hicks (vocals); Eban Schletter (organ); David Bottrill (keyboards); Chris Pitman (synthesizer).

Audio Mixer: David Bottrill.

Recording information: Ocean Way, Hollywood, CA (1996); The Hook, North Hollywood, CA (1996).

Photographers: Fabrico DiSanto; Jeff Novack.

Unknown Contributor Roles: Danny Carey; Joel Larson; Adam Jones ; Justin Chancellor; Karen Mason.

For their third release, Tool explore the progressive rock territory previously forged by such bands as King Crimson. However, Tool are conceptually innovative with every minute detail of their art, which sets them apart from most bands. Make no mistake, this isn't your father's rock record. Sonically, the band has never sounded tighter. Long exploratory passages are unleashed with amazing precision, detail, and clarity, which only complements the aggressive, abrasive shorter pieces on the album. There is no compromise from any member of the band, with each of them discovering the dynamics of his respective instrument and pushing the physical capabilities to the limit. Topics such as the philosophies of Bill Hicks (eloquently eulogized in the packaging), evolution and genetics, and false martyrdom will fly over the heads of casual listeners. But those listening closely will discover a special treat: a catalyst encouraging them to discover a world around them to which they otherwise might have been blind. If these aren't good enough reasons to listen to ’nima, then just trust the simple fact that Tool deliver the hard rock goods every time the band chooses to release something. ~ Rob Theakston

On its second full-length album, this hard-rocking quartet delivers 15 tracks of unrelenting aggression and focused intensity. Rather than overwhelm with huge sonic washes of guitar and booming drums, Tool employs a propulsive, snaky approach that makes use of undulating rhythms and clipped, percussive guitar riffs. Maynard James Keenan's vocals follow suit, opting for a heavily processed slow burn instead of the post-grunge bellow favored by so many hard-rock bands. Instead of flailing uncontrollably in all directions, the group's raw, energetic sound is tightly directed for maximum impact.

On songs like "Stinkfist," Keenan rails against injustice while the band churns mercilessly behind him. There is very little humor or light in Tool's worldview (except for song titles like "Hooker With A Penis"); these are songs of painstakingly articulated angst, and they are delivered in an earnest, deadpan manner. These fierce rockers are dead set on making their point, and make it they do, with all the bloodshed and carnage that entails.

Rolling Stone (12/26/96, p.190) - "...Tool shove their iron-spike riffing and shock-therapy polemics right up the claustrophobic dead end of so-called alternative metal....the broiling, avant-metal ferocity of Led Zeppelin's PRESCENCE..."

Entertainment Weekly (10/04/96, p.62) - "...a jagged, brooding nightmare filled with roaring guitars, abrupt rhythm shifts, and jarring sound effects. One of 1996's strangest and strongest alt-metal records." - Rating: A-

Alternative Press (1/97, p.84) - 3 (out of 5) - "...The taut playing and icy production keep Keenan's emo tendencies in check while lending his vocals a sense of remote, lone-voice-in-the-machinery existentialism that Tool captures better than anyone..."

Kerrang (Magazine) (p.53) - "Tool stepped into the void and upped the progressive rock ante with this multicoloured collection of thundering detours and dizzying left turns."