The Rudy Van Gelder Edition of IDLE MOMENTS includes an essay by Bob Blumenthal.

Personnel: Grant Green (guitar); Joe Henderson (tenor saxophone); Bobby Hutcherson (vibraphone); Duke Pearson (piano); Bob Cranshaw (bass); Al Harewood (drums).

Producer: Alfred Lion.

Reissue producer: Michael Cuscuna.

Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on November 4 & 11, 1963. Includes liner notes by Duke Pearson and Bob Blumenthal.

Digitally remastered using 24-bit technology by Rudy Van Gelder (Van Gelder Studio, Englewood Cliffs, New Jersey).

This is part of the Blue Note Rudy Van Gelder Editions series.

This languid, seductive gem may well be Grant Green's greatest moment on record. Right from the opening bars of the classic title cut, Idle Moments is immediately ingratiating and accessible, featuring some of Green's most stylish straight jazz playing. Whether he's running warm (pianist Duke Pearson's "Idle Moments"), cool (the Modern Jazz Quartet's "Django"), or a bit more up-tempo (Pearson's "Nomad," his own "Jean de Fleur"), Green treats the material with the graceful elegance that was the hallmark of his best hard bop sessions, and that quality achieves its fullest expression here. He's helped by an ensemble that, as a sextet, is slightly larger and fuller-sounding than usual, and there's plenty of room for solo explorations on the four extended pieces. Pearson's touch on the piano is typically warm, while two players best known on Blue Note for their modernist dates mellow out a bit -- the cool shimmer of Bobby Hutcherson's vibes is a marvelously effective addition to the atmosphere, while Joe Henderson plays with a husky, almost Ike Quebec-like breathiness. That cushion of support helps spur Green to some of the loveliest, most intimate performances of his career -- no matter what the tempo, it's as if his guitar is whispering secrets in your ear. It's especially true on the dreamy title track, though: a gorgeous, caressing, near-15-minute excursion that drifts softly along like a warm, starry summer night. Even more than the two-disc set The Complete Quartets With Sonny Clark, Idle Moments is the essential first Green purchase, and some of the finest guitar jazz of the hard bop era. ~ Steve Huey

It was always a part of Blue Note's development and marketing to introduce new artists as sidemen on more well-known leaders' projects before giving them dates of their own. The system worked pretty well, and the irony is that a release like 1963's IDLE MOMENTS looks likes more of an all-star session in retrospect. Sure, we get to hear Grant Green stretching out. But we also get Bobby Hutcherson and Joe Henderson, who were just winning their first Downbeat polls at the time.

Green himself had come through this system, appearing with organ combos and on other hard bop sessions, before graduating to his own Blue Note dates. IDLE MOMENTS may be one of his finest dates in the studio, simply on the strength of the elegant melancholy of the title cut and the deep groove the band settles into on "Django." Green's playing has much in common with that of such labelmates as saxophonist Stanley Turrentine and pianist Gene Harris. He manages to bring solid bebop sensibilities to a spare, down-home approach and delivers it all with an oaken tone at once dry, dark, and full of character.