Personnel: Alison Krauss (vocals, fiddle); Ron Block (vocals, guitar, banjo, dobro); Dan Tyminski (vocals, guitar, mandolin); Barry Bates (vocals, acoustic bass); Jerry Douglas (dobro); Larry (drums, percussion).

Recorded live at The Louisville Palace, Louisville, Kentucky on April 29-30, 2002.

LIVE won the 2004 Grammy Award for Best Bluegrass Album. "Cluck Old Hen" won for Best Country Instrumental Performance.

This is a Super Audio CD playable only on Super Audio CD players.

Personnel: Alison Krauss (vocals, fiddle); Ron Block (vocals, guitar, banjo); Dan Tyminski (vocals, guitar, mandolin); Jerry Douglas (dobro); Barry Bales (acoustic & electric basses); Larry Atamanuik (drums, percussion).

Principally recorded live at The Louisville Palace, Louisville, Kentucky on April 29 & 30, 2002.

LIVE won the 2004 Grammy Award for Best Bluegrass Album. "Cluck Old Hen" won for Best Country Instrumental Performance.

Given Alison Krauss' tremendous popularity and her status as the first female bluegrass singer to cross over into genuine pop marketability, and given the fact that her guitarist, Dan Tyminski, is the voice behind "Man of Constant Sorrow" (or at least the version that served as an id‚e fixe in the blockbuster movie O Brother, Where Art Thou?), a live album was inevitable. That it should be a two-disc set can simply be chalked up to good luck. Unless you're a bluegrass purist, that is, looking for music that preserves the traditional Appalachian sounds of Ralph Stanley and Bill Monroe. Listeners of that mindset will be bitterly disappointed by the presence of modern singer/songwriter fare ("Lucky One," "Let Me Touch You for a While"), by the drums on "Oh, Atlanta," and, most of all, by those dreadful call-and-response vocals on the chorus of "Man of Constant Sorrow" (which, you can hear them sniff, Tyminski takes at about twice the appropriate speed). All of this would explain why bluegrass purists are no fun to be around and, one suspects, don't have very much fun in private either. The simple fact is that every time Krauss opens her mouth to sing, angels stop what they're doing and take notes. There may be no musical pleasure quite as pure and sweet as listening to Krauss sing "Baby, Now That I've Found You" or "When You Say Nothing at All." And when she starts in on the impossibly beautiful gospel tune "Down to the River to Pray," the effect is almost disturbingly moving. Which brings listeners to the problem with this album, which is the amount of time it spends on stuff other than Alison Krauss singing great songs. The instrumental bits, the Jerry Douglas showcases, and Tyminski's requisite rendition of "Man of Constant Sorrow" are all fine, but they end up feeling like filler. Still, this album can be solidly recommended to modern bluegrass fans in general and to Krauss' many fans in particular. ~ Rick Anderson

A key contributor to the popular upswing of bluegrass, Alison Krauss & Union Station found their stewardship enlarged even more with the explosive success of the O BROTHER, WHERE ART THOU? soundtrack. Now furthering the cause is LIVE, a 2-CD set that allows this gaggle of talented musicians to stretch and impress over the course of 25 songs. Recorded over 2 nights at the Louisville Palace in Kentucky, this set list is an interesting mix of old favorites, traditional fare and some fun covers.

Blessed with a shimmering voice that oftentimes is reminiscent of Dolly Parton's, Krauss' crystalline phrasing makes for goosebump inducing versions of songs like the delicate "Ghost In This House" and more rugged "Take Me For Longing." Union Station members also get plenty of licks in performances ranging from Dan Tyminski's rich singing on the traditional "Man of Constant Sorrow" taken from the aforementioned film to Jerry Douglas' laid-back dobro instrumental medley "A Tribute To Peador O'Donnell/Monkey Let The Hogs Out." Of course, nothing says crossover more than a cover of the Bad Company nugget "Oh, Atlanta" which has become a Krauss staple over time.

Rolling Stone (12/12/02, p.98) - "...Krauss delivers more acoustic country ballads and charming uptempo songs..."

Uncut (2/03, p.77) - 4 stars out of 5 - "...If 2001's NEW FAVOURITE was a high watermark, LIVE is its perfect complement. As a touring ensemble of impeccable musicianship, UNION STATION are almost as astonishing as, say, Dylan's Never Ending Tour troupe..."