Poison: C.C. DeVille (background vocals); Rikki Rockett, Bobby Dall, Bret Michaels.

Personnel: Bret Michaels (vocals, harmonica); Jim McGorman (keyboards, background vocals); Rikki Rockett (drums, percussion, background vocals); Bobby Dall (background vocals).

Additional personnel: James McGorman (background vocals).

Audio Mixers: Krish Sharma; Jack Joseph Puig.

Audio Remasterers: Steven Marcussen; Stephen Marcussen.

Recording information: Capitol Studios, Hollywood, CA (07/1987-11/2005); Henson Recording Studios, Hollywood, CA (07/1987-11/2005).

Photographers: William Hames; Donald Miller.

Joining the din of cover albums released by bands in the twilight of their careers, 1980s hair metal survivors Poison offer up the aptly titled POISON'D! Bringing their diehards into the process, the band invited fans to make song suggestions for the set. Previously released tracks such as "Your Mama Don't Dance" (Loggins & Messina) and "We're An American Band" (Grand Funk Railroad) were no-brainers for inclusion, as these send-ups have become staples of the group's high-energy live shows for years.

With esteemed producer Don Was leading the charge, the new recordings make no attempt to reinvent the wheel. The band pay homage to their influences with straight-up versions of "Can't You See" (Marshall Tucker Band) and "I Never Cry" (Alice Cooper), and offer a surprisingly well-executed take on "Suffragette City" (David Bowie). All in all, POISON'D is a fun collection that Poison fans, by design, are sure to appreciate.

Not quite a new album and not quite a comp, Poison'd! is a collection of covers from Poison, many recorded in 2006 and 2007 with producer Don Was, but also some pulled from previous albums dating as far back as Look What the Cat Dragged In and Open Up and Say...Ahh!. To the band's credit, it doesn't always sound like the music was recorded 20 years apart. Was' production is punchier, beefier than the early stuff, and Brett Michaels' voice is, conversely, a little rougher, but this is still recognizably the work of Poison, a band that never seemed all that heavy no matter how loud the guitars roar, a band that never seemed all that dirty no matter how much they wanted to wallow in sleaze. This inadvertent lightness means that they sound as convincing covering Loggins & Messina's "Your Mama Don't Dance" or Jim Croce's "You Don't Mess Around with Jim" as they do singing Grand Funk's "We're An American Band" or Kiss' "Rock and Roll All Night," but it does rob Bowie's "Suffragette City" of some needed muscle and turns the Who's "Squeeze Box" into the insufferable cloying novelty it always wanted to be. But there are also some nice surprises along the way, particularly in the spirited, propulsive version of Tom Petty's "I Need to Know," the subdued country twang on the Marshall Tucker Band's "Can't You See" (reminiscent of Michaels solo work) and, especially, the fizzy punch of Sweet's "Little Willie," one of the first times Poison had ever earned the glam appellation they so often receive. So, Poison'd! is an uneven lot -- as any theme-based comp spanning 20 years would be -- but it's more fun than any new Poison album in recent memory and more fun than it should be, even if it's not quite as much fun as it could have been. But that's the perennial Poison problem -- the image always was more fun than the reality. ~ Stephen Thomas Erlewine