Audio Mixers: John Frye; David West.

Recording information: Hot Beats Studio, Atlanta, GA; Slip-n-Slide Studio, Miami, FL; Soap Box Mid-Town Studios, Atlanta, GA; Soap Studios, Atlanta, GA; Trill, Baton Rouge, LA.

Photographer: Diwang Valdez.

Before it was released, Baton Rouge rapper Lil' Boosie explained that SUPERBAD--which on the spine adds the subtitle "The Return of Boosie Bad Azz"--was recorded with the ladies in mind. He explained that women buy product and don't like any "static-ass-burnt CD," but skipping the sexist argument, it is worth noting that SUPERBAD is glammed-out Boosie by design and not some major-label repackaging of a naturally gutter artist. When the opening "My Avenue" declares "All I want is my paper/I don't care what they say," the slick, Runners-produced track gives the album's motivation right off the top. The mixtape Boosie--the darker and more vicious Boosie--is still recognizable on hardcore tracks like "No Mercy" and "Pain" but the bitter "Bullsh*t" is more in line with the rest of the album as it turns disgust into a singalong chorus with a wicked hook. The sugary sweet ballad "Miss Kissin' on You" is the only true dud on this 16-track album which, with the help of some well-chosen guests and a handful of exciting B Real productions, always entertains.

Before it was released, Baton Rouge rapper Lil' Boosie explained that Superbad -- which on the spine adds the subtitle "The Return of Boosie Bad Azz" -- was recorded with the ladies in mind. He explained that women buy product and don't like any "static-ass-burnt CD," but skipping the sexism argument, it is worth noting that Superbad is glammed-out Boosie by design and not some major-label repackaging of a naturally gutter artist. When the opening "My Avenue" declares "All I want is my paper/I don't care what they say," the slick, Runners-produced track gives the album's motivation right off the top. The mixtape Boosie -- the darker and more vicious Boosie -- is still recognizable on hardcore tracks like "No Mercy" and "Pain" but the bitter "Bullsh*t" is more in line with the rest of the album as it turns disgust into a singalong chorus with a wicked hook. The sugary sweet ballad "Miss Kissin' on You" is the only true dud on this 16-track album which, with the help of some well-chosen guests and a handful of exciting B Real productions, always entertains. Even if it all comes off as something the equally whiney Webbie has done before, his Louisiana brother Boosie sounds like he wants it more, making this scrappy and crafty party album all the more magnetic. ~ David Jeffries